Reproduced in Full Moon by Michael Light. It basically just collects a load of NASA photos from the Apollo missions with little or no commentary, but the cumulative visual effect (of desolate strangeness, for the most part, as one might expect) makes the book worth checking out.
Apollo 16’s Charles Duke took this photo in April of 1972, in the Moon’s Descartes Highlands. It shows a snapshot of Duke and his family in their backyard in Houston, Texas. Is it still there?
Apollo 12, November 1969. Alan Bean with a sample container full of lunar material collected at Sharp Crater in the Ocean of Storms. The photographer, Charles Conrad, is reflected in Bean’s visor. Here I think you can really see why some nutters refuse to believe the Moon landings were real. The astronauts look like dolls, the Moon looks tiny and there’s a strange shallow focus effect superficially similar to macro photography.
Lunar module Orion returning to command module Casper after liftoff from the Moon (Apollo 16 mission, 1972). Again it looks miniature and a bit daft, more like a child’s ramshackle cardboard box play spaceship rather than something costing millions of dollars.
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Writer and artist, or artist and writer… sometimes other things, too.
I live in the UK. The work I make for publication, performance, broadcast and installation is often “subversive” (SFX), at times “startling” (The Independent) and occasionally even “fascinating” (The Times). Recently a total stranger shouted "F***ING WEIRDO" at me from his car, which I'm also taking as a great review.
Wikipedia classifies me as a “Science Fiction Artist”. I’m not sure what the anonymous Wikipedians and/or their taxonomical algorithm were thinking, nor am I entirely sure what it signifies, but I’m willing to live with it. I like to imagine that it means I’m an artist from science fiction. Perhaps a character in a William Gibson novel?
I like creepy old mannequins, broken toys, museums, absurdity and making technology do things its manufacturers wouldn’t approve of.