Otherwise known as the now traditional lazy retrospective listicle
We all know by now don’t we my little blackguards my pretty roadside fartflowers of the friggingfields my dearest filthy fuckbirds yes we know yes yes yes oh yes that the top pages on the site are invariably James Joyce’s paeans to using the tradesman’s entrance and the translation of Hokusai’s tentacle hentai. Tens of thousands of you, constantly, from all over the world, day and night. You must have massive right arms by now (if you’re right handed).
But there is so much more to explore, and some of it doesn’t even involve sexual fetishes. I know it’s hard to believe, but it’s true.
Jukumari, Musée du quai Branly, Paris. Photo by Alistair Gentry.
Final selection of bizarre, beautiful costumes from the Musée du quai Branly in Paris. The museum’s text:
The Andean “bespectacled” bear, the Jukumari, lives at different ecological levels of the Andean cordilera. For this reason he is seen as a mediator between different entities, god-like and human, or different human groups. He is present in several dances from the Andes in Bolivia, in particular the Diablada and the the Morenada. In the Diablada he has a playful role: he is the character that chats and interacts with the public. The Jukumari evolved into a polar bear.
No kidding. Other additions in the category of artistic license include the dainty yellow hanky (er… don’t look up hanky codes if you don’t know what they are already. You’re OK not knowing), the strings of pearls (stop it), the bat face, and the epaulettes. Epaulettes on a bear are definitely fabulous, but a real spectacled bear looks like this:
He does not care in the slightest about epaulettes, silk hankies, gold braiding or sequins. He will bite your face off if you attempt to style him in any manner whatsoever. Jukumari, on the other paw, is into all of the aforementioned and more, nudge nudge, wink wink, know what I mean?
Ñaupa Diablo, Musée du quai Branly, Paris. Photo by Alistair Gentry.
More excellent masks from the Musée du quai Branly in Paris… and these ones come with splendid matching outfits. In the previous post on this subject, there was an early twentieth century carnival mask from Oruro, Bolivia. This time I have some relatively modern masks and costumes from the same carnival for you. All the photographs are mine. Here’s a translation of the museum’s blurb:
Performed during the carnival in the mining town of Oruro, the Diablada dance fuses Catholic and indigenous beliefs, depicting Lucifer escorted by a legion of male and female demons, and the Archangel Michael as the leader of the angel host. The characters in the dance are derived from the Catholic religion’s struggle between good and evil, which ends in the victory of the angels. However, in this dance, the “devil” in all his forms (Lucifer, his variant Ñaupa Diablo, his wife China Supay, and male and female devils) incarnates a positive force, linked to the Amerindian underworld divinity Supay, the giver of gifts.
The devil has all the best clothes and all the best tunes. I love these costumes. Maybe not for casual daywear, though. I’m not sure how I’d integrate sequinned breastplates, huge twisted horns and this much gold braiding with the rest of my wardrobe.